XLR Audio / Light Controller 3 pin

3-pin XLR connector pinout for professional balanced audio (pin 2 hot, IEC 60268-12) and non-standard DMX512 lighting control use.

XLR Audio / Light Controller 3 pin – connector (placeholder) 3 pin XLR male connector.

XLR Audio / Light Controller 3 pin – connector (placeholder) 3 pin XLR female connector.

The 3-pin XLR is a circular multipole connector with a 19 mm nominal shell diameter, defined mechanically by IEC 61076-2-103:2004, and has been the universal connector for professional balanced analogue audio since the early 1980s. The pin assignment — Pin 1 shield/ground, Pin 2 signal+ (hot), Pin 3 signal− (cold) — is standardised by AES14-1992 (“pin 2 hot”) and harmonised as IEC 60268-12; AES48-2005 further requires Pin 1 to connect to the chassis rather than the audio circuit ground, suppressing the so-called “pin 1 problem”. The 3-pin XLR also appears on a range of stage and broadcast accessories including intercom partyline systems, haze machines, and proprietary lighting-control links, each with its own vendor-specific signal assignments. Note that use of 3-pin XLR for DMX512 lighting control is explicitly prohibited by ANSI E1.11-2008 (section 7.1.2), which mandates the 5-pin XLR; the 3-pin variant appears only on budget and DJ-market equipment that pre-dates or ignores the standard.

Pin
Application12
Clear ComGround (Shield)Power (+20 to +30 VDC)
D54ScreenNoconnection
DMX512 (DMX)ScreenData -
TecProBackboneEarth/ScreenPower+24VDC
Audio Signal (European)ScreenSignal +(Hot)
JemTechnoHazeBlackYellow
Canford Talkback backboneearth/screen+24V DC
High End Systems intelligent fixtures controlgrounddata -
Martin intelligent fixtures control (old)screendata +
Martin intelligent fixtures control (new)screendata -
Microphones (Europe standard)screensignal +
Microplexcommon+15 VDC
Balanced AudioGround / ScreenIn phase / +ve / Hot
Unbalanced AudioGround / ScreenSignal

Notes

  • Pin 1 must connect to chassis ground (not audio signal ground) per AES48-2005 to avoid the “pin 1 problem” — a common source of hum and RF interference in professional installations.
  • The “pin 2 hot” convention (AES14-1992 / IEC 60268-12) is now universal for professional audio; older European equipment sometimes used pin 3 as the hot conductor.
  • Balanced audio transmits signal on a differential pair (Pins 2 and 3) relative to the shield (Pin 1); common-mode noise is rejected at the receiving end, making the 3-pin XLR suitable for long cable runs in electrically noisy environments.
  • DMX512 use on 3-pin XLR is non-compliant with ANSI E1.11-2008, which explicitly prohibits it in section 7.1.2 and mandates the 5-pin XLR. Adapters between 3-pin and 5-pin DMX connectors are available but are considered a workaround rather than a standard practice.
  • DMX512-A (ANSI E1.11) operates on EIA-485 differential signalling at 250 kbaud over 120 Ω shielded twisted pair; a 120 Ω termination resistor between Data+ and Data− is required at the far end of each run.
  • The connector shell provides mechanical latching via a spring-loaded collar; do not force incompatible plug variants.

References

Category:Audio Video Connectors